Trevor Griffiths is a  photographer whose work over the past thirty years has been celebrated in publications and exhibitions around the world. His autobiography The Long Road Home:  was published in both paperback and digital download @Amazon.co.uk in 2016 and traces Griffiths life over the past sixty-years. Over this time he has been commissioned to cover stories on the English Aristocracy, some of the great photographers and stories that depicted the diverse lifestyle of UK cultures. In 1998 he travelled to Thailand to cover the street children of Bangkok and whilst covering the story met and documented the work of Krau Prateep in his pictures ‘The Rescuers’.
In 1999 Griffiths was invited to speak about his work to students at a local College and whilst there was encouraged to stay and head the development of their photography programme.
In 2007 he was invited by the British Council to visit Taipei and Moscow on cultural missions and spoke about his work at the National Museum of Contemporary Art in Taipei and also at Moscow University. Griffiths’  skills were demonstrated in 2009 when invited to visit South Korea he identified opportunities for collaboration at key leading South Korean Universities and these continue to build international bridges to this day. In 2010 Griffiths was invited by the British Council to visit India as part of a team exploring opportunities to collaborate with Indian Institutions. His meeting with Whistling Woods International in Film City, Mumbai has allowed Griffiths to gain an insight into the Indian Film Industry and to build lasting relationships with like-minded people.  Griffiths continues to work as a photographer and  ‘The Long Road Home’ is an honest and open reflection of one person’s journey, a journey that explores the struggles he faced after losing the sight in his eye at a young age, to living on the streets as a child. He is constantly in demand to talk about his life and his achievements and in 2012 was awarded an honorary professorship from the Whistling Woods International Film School.
Griffiths now divides his time between photography and public speaking.

In 2026, ten years on from his first publication, Griffiths has released the second edition of The Long Road Home – A Quieter Rhythm. This new volume expands on those traumatic early years and keeps us informed, in a voice that is both serious and often humorous, about the experiences that have shaped his change in direction. Where his earlier work focused on documenting subjects deeply rooted in personal history, this edition reveals a broader creative shift. Griffiths continues to work with the still image, but he has also begun taking tentative steps into the moving image, experimenting with short films that explore the natural habitat. These small but deliberate ventures mark an evolution in his practice, reflecting a desire to observe the world not only through isolated moments, but through rhythm, duration, and the quieter patterns of life unfolding over time.